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Family Pictures: Maus, Mourning, and Post-Memory
Bibliography - LORIE NOVAK
Amazon.com: La generación de la posmemoria: Escritura y cultura visual después del Holocausto (Spanish Edition) eBook : Hirsch, Marianne, Cáceres Casillas, Pilar: Kindle Store
Developing a Sense of Place
Marianne Hirsch - Family Frames - Photography, Narrative and Postmemory (1997, Harvard University Press) - Libgen - Li | PDF
Full article: Reframing 'Gastarbeiter' Migration: Family, Photography and Cultural Memory in Almanya — Willkommen in Deutschland
PDF) Gender, memory and connective genocide scholarship: A conversation with Marianne Hirsch
Falling Silent: Holocaust Trauma and the Breakdown of Postmemory in Merethe Lindstrøm's Dager i stillhetens historie (2011): Edda: Vol 104, No 4
POSTMEMORY.net
PDF) Like Daughter, Like Grandson: Queering Post-Traumatic Memory
You just have to make a conscious effort to keep snapping away I think”: A Case Study of Family Photos, Mothering, and Familial Space | SpringerLink
Ghosts Of Home - By Marianne Hirsch & Leo Spitzer (paperback) : Target
Portrait of a German Girl in a Handmade Frame | Experiencing History: Holocaust Sources in Context
PDF) WHAT'S WRONG WITH THIS PICTURE? Archival photographs in contemporary narratives | Algo Rosa - Academia.edu
A History from Below: Prof. Marianne Hirsch on memory and photography - PIX
Runfors | The Political as the Personal: Postmemory among Descendants of Polish Migrants in Sweden | Ethnologia Europaea
Echinox Journal – Echinox Journal
Representations of Jewish Childhood From 1950s Communist Romania in Memoirs by Women Émigré Authors to the United States: East European Jewish Affairs: Vol 49, No 1
Third Generation Engagement with World War Two. Postmemory in Cole Moreton's "My Father was a Hero" - GRIN
PDF) Book Review:Family Frames: Photography, Narrative, and Postmemory Marianne Hirsch; Bequest and Betrayal: Memoirs of a Parent's Death Nancy K. Miller | Leigh Gilmore - Academia.edu
Marianne Hirsch – Family Frames | Identity and Place
Portraits of Yugoslav Army Soldiers. Between Partisan and Pop-Culture Imagery
Types of Photographic Inquiry and Their Effects on the Collective Memory of Genocide