Neon Noir — 'Collateral' Movie Breakdown & Appreciation
LED street lighting - "The end of cinema" - Rob Draper, ACS - Director of PhotographyRob Draper, ACS – Director of Photography
Decca Design - Switch Lighting Collateral
Michael Mann's Collateral & Digital Cinematography
Collateral (2004) - IMDb
Red Light District image - Collateral - Mod DB
Say goodbye to moody movie shots of LA at night: How LED street lights mean an end to the urban glow of films like Collateral | Daily Mail Online
Collateral Decorative Vent 6" x 3" Polished Brass Unlacquered - Broughtons Lighting & Ironmongery
In the Lights of the Predators - Cinema-Aesthetics
Review: Collateral - Slant Magazine
Why Hollywood Will Never Look the Same Again on Film - Longreads
The Contemporary City – as represented in Michael Mann's 'Collateral' – KSA MA Architectural Visualisation
Street lights, camera, action: how LEDs are changing the look of films | Cities | The Guardian
Collateral & Co.
Neon Noir — 'Collateral' Movie Breakdown & Appreciation
Before Sunrise, or Los Angeles Plays Itself In a Lonely Place – Senses of Cinema
Collateral (2004) | Cinematography by Dion Beebe and Paul Cameron | Directed by Michael Mann | Cinematic photography, Cinema photography, Filmmaking
COLLATERAL - Fine Art Handcrafted Lighting
Why Hollywood Will Never Look the Same Again on Film: LEDs Hit the Streets of LA & NY
Collateral - Rotten Tomatoes
Collateral (2004) - ELD Lighting — Steemit
Collateral Decorative Vent 9" x 3" Satin Stainless Steel - Broughtons Lighting & Ironmongery
Collateral Decorative Vent 6" x 3" Polished Chrome - Broughtons Lighting & Ironmongery
LDL Lighting rebrand
GE Lighting – DG3 Custom Communications Group
American Cinematographer: Collateral
Say goodbye to moody movie shots of LA at night: How LED street lights mean an end to the urban glow of films like Collateral | Daily Mail Online
